Long before Alan Hale Jr. became TV’s famous Skipper on “Gilligan’s Island”, he brought jovial life to the legendary folksong hero “Casey Jones”, engineer of the Cannonball Express for the Midwest and Central Railroad. “Casey Jones” was a half hour syndicated b/w series produced for Columbia Screen Gems by Harold Greene (1916-2000) who was first a writer before becoming a producer on “Casey Jones” as well as “Captain Midnight”, “Jungle Jim” and others. Casey’s 32 episodes were shown originally in syndication from October 1957 to May 1958, although many TV stations continued to run the show into the early ‘60s.
Guest stars read like a western who’s-who: Lee Van Cleef, Ted DeCorsia, Mort Mills, Ray Teal, William Bryant, Bud Osborne, Kermit Maynard, X Brands, Bing Russell, Jan Merlin, Chris Alcaide, Kenneth MacDonald, Lee Roberts, Harry Lauter, Zon Murray, Myron Healey, Denver Pyle, Leo Gordon, Roy Barcroft, Adele Mara, Ed Cobb, Gregg Barton, Anthony Caruso, Dorothy Green, Bill Henry, Tom Keene, Don Harvey, Frank Lackteen and Willis Bouchey. Alan Hale (1921-1990) recalled, “I had to lose weight. I had it in my contract. I couldn’t be over 233 lbs. so I had to lose almost 25 lbs. before I got the part. We did (the series) up in Sonora (CA). There was a lumber railroad up there called the Pickering Railroad. They had a locomotive which was revamped to look more like the days of Casey Jones.” This was Tuolumne County’s Little No. 3 which was later used on “Tales of Wells Fargo”. “Little Bobby Clark was so wonderful, we just had a marvelous time together. I enjoyed the series if it was only for him. He was very bright, very savvy about show business. Mary Lou Lawrence, who was my wife, was a very favorite person of mine. She was married to Delmar Daves, one of the finer directors in the whole business. My fireman was Dub Taylor, one of the funny men of all time.” After shooting the real train sequences around Sonora, the company returned to the Columbia Ranch where they worked around a mock-up train that was just “scenery.”
The possible reason for the one-season demise of “Casey Jones” is that the series’ tone was too adult for youngsters, yet not totally geared to the adult audience, leaving the show mired somewhere in-between. But in retrospect, by possibly over-looking “Casey Jones” as a true TV western, you’re missing out on a really fun series.
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