Search the Western Clippings Site

An Interview With…
    - Archives

Will "Sugarfoot" Hutchins
    - Archives

Do You Remember?
    - Archives

Comic Book Cowboys
    - Archives

Westerns of...
    - Archives

Heavies and Characters
    - Archives

The Stuntmen - Neil Summers
    - Archives

Western Treasures
    - Gallery 160
    - Gallery 159
    - Gallery 158
    - Gallery 157
    - Gallery 156
    - Gallery 155
    - Gallery 154
    - Gallery 153
    - Gallery 152
    - Gallery 151
    - Gallery 150
    - Gallery 149
    - Gallery 148
    - Gallery 147
    - Gallery 146
    - Gallery 145
    - Gallery 144
    - Gallery 143
    - Gallery 142
    - Gallery 141
    - Gallery 140
    - Gallery 139
    - Gallery 138
    - Gallery 137
    - Gallery 136
    - Gallery 135
    - Gallery 134
    - Gallery 133
    - Gallery 132
    - Gallery 131
    - Gallery 130
    - Gallery 129
    - Gallery 128
    - Gallery 127
    - Gallery 126
    - Gallery 125
    - Gallery 124
    - Gallery 123
    - Gallery 122
    - Gallery 121
    - Gallery 120
    - Gallery 119
    - Gallery 118
    - Gallery 117
    - Gallery 116
    - Gallery 115
    - Gallery 114
    - Gallery 113
    - Gallery 112
    - Gallery 111
    - Gallery 110
    - Gallery 109
    - Gallery 108
    - Gallery 107
    - Gallery 106
    - Gallery 105
    - Gallery 104
    - Gallery 103
    - Gallery 102
    - Gallery 101
    - Gallery 100
    - Gallery 99
    - Gallery 98
    - Gallery 97
    - Gallery 96
    - Gallery 95
    - Gallery 94
    - Gallery 93
    - Gallery 92
    - Gallery 91
    - Gallery 90
    - Gallery 89
    - Gallery 88
    - Gallery 87
    - Gallery 86
    - Gallery 85
    - Gallery 84
    - Gallery 83
    - Gallery 82
    - Gallery 81
    - Gallery 80
    - Gallery 79
    - Gallery 78
    - Gallery 77
    - Gallery 76
    - Gallery 75
    - Gallery 74
    - Gallery 73
    - Gallery 72
    - Gallery 71
    - Gallery 70
    - Gallery 69
    - Gallery 68
    - Gallery 67
    - Gallery 66
    - Gallery 65
    - Gallery 64
    - Gallery 63
    - Gallery 62
    - Gallery 61
    - Gallery 60
    - Gallery 59
    - Gallery 58
    - Gallery 57
    - Gallery 56
    - Gallery 55
    - Gallery 54
    - Gallery 53
    - Gallery 52
    - Gallery 51
    - Gallery 50
    - Gallery 49
    - Gallery 48
    - Gallery 47
    - Gallery 46
    - Gallery 45
    - Gallery 44
    - Gallery 43
    - Gallery 42
    - Gallery 41
    - Gallery 40
    - Gallery 39
    - Gallery 38
    - Gallery 37
    - Gallery 36
    - Gallery 35
    - Gallery 34
    - Gallery 33
    - Gallery 32
    - Gallery 31
    - Gallery 30
    - Gallery 29
    - Gallery 28
    - Gallery 27
    - Gallery 26
    - Gallery 25
    - Gallery 24
    - Gallery 23
    - Gallery 22
    - Gallery 21
    - Gallery 20
    - Gallery 19
    - Gallery 18
    - Gallery 17
    - Gallery 16
    - Gallery 15
    - Gallery 14
    - Gallery 13
    - Gallery 12
    - Gallery 11
    - Gallery 10
    - Gallery 9
    - Gallery 8
    - Gallery 7
    - Gallery 6
    - Gallery 5
    - Gallery 4
    - Gallery 3
    - Gallery 2
    - Gallery 1

Circus Cowboys
    - Archives

Radio Range Riders
    - Archives

Rangeland Elegance
    - Archives

Western Artifacts
    - Archives

Film Festival Fotos
    - Archives

Silent Western Reviews
    - Archives

Serial Report
    - Archives

Subscribe to Western Clippings

COLLECTIBLES FOR SALE:

Western Clippings Back Issues

Daily Comic Strips
    - Page 1 (1910-1949)
    - Page 2 (1950-1979)

Sunday Comic Strips
    - 1907-1990

Books

Miscellaneous Collectibles

Autographs

Lobby Cards

Movie Posters

Movie & TV Stills

Home

Clint Eastwood is gently...ever so gently...prompted to promote 
“A Fistful of Dollars” in the U.S.

Clint Eastwood is gently...ever so gently...prompted to promote
“A Fistful of Dollars” in the U.S.

Wayde Preston (“Colt .45”) and James Garner (“Maverick”) practice their gun handling technique. (Thanx to Terry Cutts.)

Wayde Preston (“Colt .45”) and James Garner (“Maverick”) practice their gun handling technique. (Thanx to Terry Cutts.)

Robert Fuller and a vast array of his guns, boots, chaps, belts, etc.

Robert Fuller and a vast array of his guns, boots, chaps, belts, etc.

On the set of “Rio Bravo” director Howard Hawks and Ward Bond observe as John Wayne puts a finishing touch on Ricky Nelson’s costume which is a slightly modified version of the jacket worn by Montgomery Clift in “Red River”.

On the set of “Rio Bravo” director Howard Hawks and Ward Bond observe as John Wayne puts a finishing touch on Ricky Nelson’s costume which is a slightly modified version of the jacket worn by Montgomery Clift in “Red River”.

James Stewart pays close attention as director Anthony Mann lays out a scene for “Winchester 73”.

James Stewart pays close attention as director Anthony Mann lays out a scene for “Winchester 73”.

Western artist Max Harrison, Fred Scott and Gene Autry at the Autry Hotel in Palm Springs, CA.

Western artist Max Harrison, Fred Scott and Gene Autry at the Autry Hotel
in Palm Springs, CA.

Taking a break from filming “Gunsmoke”, James Arness smiles as Amanda Blake 
fiddles with a gee-tar.

Taking a break from filming “Gunsmoke”, James Arness smiles as Amanda Blake
fiddles with a gee-tar.

On the set of “Love Me Tender” Elvis Presley watches as director Robert Webb gives
some script notations to James Drury and William Campbell.

On the set of “Love Me Tender” Elvis Presley watches as director Robert Webb gives
some script notations to James Drury and William Campbell.

Paying a visit to the set of “The Dirty Dozen”, Muhammad Ali chats
with Clint Walker.

Paying a visit to the set of “The Dirty Dozen”, Muhammad Ali chats
with Clint Walker.

Johnny Carpenter (third from left) and stuntman Lou Roberson (right) (Chuck Roberson’s brother) prepare to watch entertainer Texas Rose Bascomb during a scene for “Lawless Rider” (‘54). The girl between them is unknown.

Johnny Carpenter (third from left) and stuntman Lou Roberson (right) (Chuck Roberson’s brother) prepare to watch entertainer Texas Rose Bascomb during a scene for “Lawless Rider” (‘54). The girl between them is unknown.

Peter Brown and Sammy Davis Jr. ready to film a scene for 
“Lawman: Blue Boss and Willie Shay”.

Peter Brown and Sammy Davis Jr. ready to film a scene for
“Lawman: Blue Boss and Willie Shay”.

Tom Mix, script in hand, directs a scene at the Selig Zoo in L.A.’s East Lake Park in 1916. At Tom's right are George Pankey and Sid Jordan.

Tom Mix, script in hand, directs a scene at the Selig Zoo in L.A.’s East Lake Park in 1916. At Tom's right are George Pankey and Sid Jordan.

Montie Montana shakes hands with comedian Jerry Colonna. That’s Montie’s young son Montie Jr. in the middle...and...is that stuntlady actress Evelyn Finley between Montie and Jerry?

Montie Montana shakes hands with comedian Jerry Colonna. That’s Montie’s young son Montie Jr. in the middle...and...is that stuntlady actress Evelyn Finley between Montie and Jerry?

Bill Elliott holds a slate for the next scene for Republic cinematographer Jack Marta.

Bill Elliott holds a slate for the next scene for Republic cinematographer Jack Marta.

At their wedding, new wife Wanda Hendrix cuts a piece of cake for Audie Murphy.

At their wedding, new wife Wanda Hendrix cuts a piece of cake for Audie Murphy.

Gag shot as Gabby Hayes and Mel ?? hold guns on Mel’s pals Dick Hayes and Bobby Sherwood.

Gag shot as Gabby Hayes and Mel ?? hold guns on Mel’s pals Dick Hayes
and Bobby Sherwood.

The director (in the white shirt) gives directions to Cameron Mitchell (to his right) and others at Old Tucson for a “High Chaparral” episode.

The director (in the white shirt) gives directions to Cameron Mitchell (to his right) and others at Old Tucson for a “High Chaparral” episode.

“Hey Wild Bill, wait for me! I haven’t ordered yet.”

“Hey Wild Bill, wait for me! I haven’t ordered yet.”

Sunset Carson and a state policeman present a lawman’s badge to a youngster in a children’s hospital ward.

Sunset Carson and a state policeman present a lawman’s badge to a youngster in a children’s hospital ward.

Tex Williams and Pedro de Paul listen attentively as the fiddle players rehearse a final arrangement for one of Tex’s Capitol recordings. (‘50)

Tex Williams and Pedro de Paul listen attentively as the fiddle players rehearse a final arrangement for one of Tex’s Capitol recordings. (‘50)

Hugh O'Brian with lady visitor on set of "Wyatt Earp".

Ken Curtis and his second wife Torrie Ahern Curtis. They were married from 1966 
until 1991, Ken’s death.

Ken Curtis and his second wife Torrie Ahern Curtis. They were married from 1966
until 1991, Ken’s death.

Roy Rogers holds a gold statuette of Trigger while actresses Barbara Hale (left) and Ann Sheridan look on with approval. The statuettes were presented to Britton Elementary School in Oklahoma City whose students won the Roy Rogers Safety Award for their posters.

Roy Rogers holds a gold statuette of Trigger while actresses Barbara Hale (left) and Ann Sheridan look on with approval. The statuettes were presented to Britton Elementary School in Oklahoma City whose students won the Roy Rogers Safety Award for their posters.

Rex Allen, The Sons of the Pioneers and Andy Devine. (L-R standing) Hugh Farr, Ken Curtis, Rex Allen, Karl Farr, Andy Devine, Lloyd Perryman. (crouched) Shug Fisher, Tommy Doss.

Rex Allen, The Sons of the Pioneers and Andy Devine. (L-R standing) Hugh Farr, Ken Curtis, Rex Allen, Karl Farr, Andy Devine, Lloyd Perryman. (crouched) Shug Fisher, Tommy Doss.

(L-R top row) Unknown, Unknown, Unknown, Guy Madison, Clayton Moore, Eddie Dean, Sunset Carson, unknown. (L-R bottom row) Joanne Hale, Jane Withers, Dale Evans, Unknown, Monte Hale, Unknown, Penny Edwards, Deborah Winters, Penny's daughter (?), Iron Eyes Cody.

(L-R top row) Unknown, Unknown, Unknown, Guy Madison, Clayton Moore, Eddie Dean, Sunset Carson, unknown. (L-R bottom row) Joanne Hale, Jane Withers, Dale Evans, Unknown, Monte Hale, Unknown, Penny Edwards, Deborah Winters, Penny's daughter (?), Iron Eyes Cody.


Top of page

 

 

 

 

u