Search the Western Clippings Site

An Interview With…
    - Archives

Will "Sugarfoot" Hutchins
    - Archives

Do You Remember?
    - Archives

Comic Book Cowboys
    - Archives

Westerns of...
    - Archives

Heavies and Characters
    - Archives

The Stuntmen - Neil Summers
    - Archives

Western Treasures
    - Gallery 160
    - Gallery 159
    - Gallery 158
    - Gallery 157
    - Gallery 156
    - Gallery 155
    - Gallery 154
    - Gallery 153
    - Gallery 152
    - Gallery 151
    - Gallery 150
    - Gallery 149
    - Gallery 148
    - Gallery 147
    - Gallery 146
    - Gallery 145
    - Gallery 144
    - Gallery 143
    - Gallery 142
    - Gallery 141
    - Gallery 140
    - Gallery 139
    - Gallery 138
    - Gallery 137
    - Gallery 136
    - Gallery 135
    - Gallery 134
    - Gallery 133
    - Gallery 132
    - Gallery 131
    - Gallery 130
    - Gallery 129
    - Gallery 128
    - Gallery 127
    - Gallery 126
    - Gallery 125
    - Gallery 124
    - Gallery 123
    - Gallery 122
    - Gallery 121
    - Gallery 120
    - Gallery 119
    - Gallery 118
    - Gallery 117
    - Gallery 116
    - Gallery 115
    - Gallery 114
    - Gallery 113
    - Gallery 112
    - Gallery 111
    - Gallery 110
    - Gallery 109
    - Gallery 108
    - Gallery 107
    - Gallery 106
    - Gallery 105
    - Gallery 104
    - Gallery 103
    - Gallery 102
    - Gallery 101
    - Gallery 100
    - Gallery 99
    - Gallery 98
    - Gallery 97
    - Gallery 96
    - Gallery 95
    - Gallery 94
    - Gallery 93
    - Gallery 92
    - Gallery 91
    - Gallery 90
    - Gallery 89
    - Gallery 88
    - Gallery 87
    - Gallery 86
    - Gallery 85
    - Gallery 84
    - Gallery 83
    - Gallery 82
    - Gallery 81
    - Gallery 80
    - Gallery 79
    - Gallery 78
    - Gallery 77
    - Gallery 76
    - Gallery 75
    - Gallery 74
    - Gallery 73
    - Gallery 72
    - Gallery 71
    - Gallery 70
    - Gallery 69
    - Gallery 68
    - Gallery 67
    - Gallery 66
    - Gallery 65
    - Gallery 64
    - Gallery 63
    - Gallery 62
    - Gallery 61
    - Gallery 60
    - Gallery 59
    - Gallery 58
    - Gallery 57
    - Gallery 56
    - Gallery 55
    - Gallery 54
    - Gallery 53
    - Gallery 52
    - Gallery 51
    - Gallery 50
    - Gallery 49
    - Gallery 48
    - Gallery 47
    - Gallery 46
    - Gallery 45
    - Gallery 44
    - Gallery 43
    - Gallery 42
    - Gallery 41
    - Gallery 40
    - Gallery 39
    - Gallery 38
    - Gallery 37
    - Gallery 36
    - Gallery 35
    - Gallery 34
    - Gallery 33
    - Gallery 32
    - Gallery 31
    - Gallery 30
    - Gallery 29
    - Gallery 28
    - Gallery 27
    - Gallery 26
    - Gallery 25
    - Gallery 24
    - Gallery 23
    - Gallery 22
    - Gallery 21
    - Gallery 20
    - Gallery 19
    - Gallery 18
    - Gallery 17
    - Gallery 16
    - Gallery 15
    - Gallery 14
    - Gallery 13
    - Gallery 12
    - Gallery 11
    - Gallery 10
    - Gallery 9
    - Gallery 8
    - Gallery 7
    - Gallery 6
    - Gallery 5
    - Gallery 4
    - Gallery 3
    - Gallery 2
    - Gallery 1

Circus Cowboys
    - Archives

Radio Range Riders
    - Archives

Rangeland Elegance
    - Archives

Western Artifacts
    - Archives

Film Festival Fotos
    - Archives

Silent Western Reviews
    - Archives

Serial Report
    - Archives

Subscribe to Western Clippings

COLLECTIBLES FOR SALE:

Western Clippings Back Issues

Daily Comic Strips
    - Page 1 (1910-1949)
    - Page 2 (1950-1979)

Sunday Comic Strips
    - 1907-1990

Books

Miscellaneous Collectibles

Autographs

Lobby Cards

Movie Posters

Movie & TV Stills

Home

Three great senior citizen western stars: Eddie Dean, Monte Hale, Clayton Moore. (Thanx to Pat Shields.)

Three great senior citizen western stars: Eddie Dean, Monte Hale, Clayton Moore.
(Thanx to Pat Shields.)

Hopalong Cassidy (William Boyd) consults with film editor Fred Berger in 1947.

Hopalong Cassidy (William Boyd) consults with film editor Fred Berger in 1947.

Johnny Mack Brown stands next to a production light while making “Billy the Kid” in 1930. (Thanx to Jerry Whittington.)

Johnny Mack Brown stands next to a production light while making
“Billy the Kid” in 1930. (Thanx to Jerry Whittington.)

Three giants of the movie industry take a break while making their respective films in 1956. James Stewart was starring in "Night Passage"; James Cagney was making "Man of 1,000 Faces" and Orson Welles was making "Man in the Shadow". (Thanx to Pat Shields.)

Three giants of the movie industry take a break while making their respective films in 1956. James Stewart was starring in “Night Passage”; James Cagney was making “Man of 1,000 Faces” and Orson Welles was making “Man in the Shadow”. (Thanx to Pat Shields.)

Gabby Hayes and Jackie Robinson’s wife Rachel watch the 1952 World Series between the Yankees and Dodgers. Gabby and Jackie were good friends. (Thanx to Bobby Copeland.)

Gabby Hayes and Jackie Robinson’s wife Rachel watch the 1952 World Series between the Yankees and Dodgers. Gabby and Jackie were good friends. (Thanx to Bobby Copeland.)

When he’s not making westerns for Monogram, Jimmy Wakely relaxes with friends and his son Johnny playing sandlot baseball or fishing. In this photo Jimmy, screen heavy Ted French, Jimmy’s 3 year old son Johnny and sidekick Dub “Cannonball” Taylor get ready for a game.

When he’s not making westerns for Monogram, Jimmy Wakely relaxes with friends and his son Johnny playing sandlot baseball or fishing. In this photo Jimmy, screen heavy
Ted French, Jimmy’s 3 year old son Johnny and sidekick Dub “Cannonball” Taylor
get ready for a game.

Ted French, musician Don Weston, Dub Taylor and Jimmy play catch as Johnny is at bat.

Ted French, musician Don Weston, Dub Taylor and Jimmy play catch as
Johnny is at bat.

Little Johnny gets a lift from Ted French while Jimmy is catcher. Looks like “Cannonball” is calling two strikes on the kid.

Little Johnny gets a lift from Ted French while Jimmy is catcher. Looks like “Cannonball” is calling two strikes on the kid.

Jimmy’s turn at bat.

Jimmy’s turn at bat.

Now it’s time for a little fishing as Jimmy puts on his waders.

Now it’s time for a little fishing as Jimmy puts on his waders.

Back home in Oklahoma Jimmy loved fishing, and he still does. His specialty, however, is fresh water fishing so he needed an assist from Dub Taylor in getting his rod properly strung for surf casting.

Back home in Oklahoma Jimmy loved fishing, and he still does. His specialty, however, is fresh water fishing so he needed an assist from Dub Taylor in getting his rod properly strung for surf casting.

Jimmy casts his line into the Pacific waves.

Jimmy casts his line into the Pacific waves.

Bill Elliott at Kenton, OH, in 1947 for a furniture store opening. (Thanx to Bobby Copeland.)

Bill Elliott at Kenton, OH, in 1947 for a furniture store opening. (Thanx to Bobby Copeland.)

While filming “Cheyenne”, on weekends Clint Walker often liked to get out into the Mojave in his cabin truck with his then wife Verna and six year old daughter Valerie Jean. The cabin truck was fully equipped with Geiger-scintillator, ultra-violet light, field glasses, pans and enough food for the weekend.

While filming “Cheyenne”, on weekends Clint Walker often liked to get out into the Mojave in his cabin truck with his then wife Verna and six year old daughter Valerie Jean. The cabin truck was fully equipped with Geiger-scintillator, ultra-violet light, field glasses, pans and enough food for the weekend.

Clint pans for precious gold ore, washing the sand carefully to remove excess mud and rocks from the silt.

Clint pans for precious gold ore, washing the sand carefully to remove excess mud and rocks from the silt.

Clint continues his panning operation.

Clint continues his panning operation.

Checking rock formations with a Geiger-scintillator for uranium ore deposits.

Checking rock formations with a Geiger-scintillator for uranium ore deposits.

Clint used an ultra-violet light to locate uranium ore. This is obviously a staged photo as Clint tells us you only use ultra-violet at night.

Clint used an ultra-violet light to locate uranium ore. This is obviously a staged photo as Clint tells us you only use ultra-violet at night.

Clint explains to Verna and Valerie Jean how the pointer can indicate the presence of ore.

Clint explains to Verna and Valerie Jean how the pointer can indicate the
presence of ore.

Daughter Valerie Jean enjoys her weekend outdoors with Mom and Dad.

Daughter Valerie Jean enjoys her weekend outdoors with Mom and Dad.

Clint packs Valerie Jean on his back while he hunts for ore deposits.

Clint packs Valerie Jean on his back while he hunts for ore deposits.

...and after all that work, it’s time for a cookout hamburger dinner on the back of Clint’s cabin truck.

...and after all that work, it’s time for a cookout hamburger dinner on the back of
Clint’s cabin truck.

Richard Boone gave up gun, traveled to Broadway in early 1959 to play Lincoln in “The Rivalry”. His co-stars were Martin Gable and Nancy Kelly.

Richard Boone gave up gun, traveled to Broadway in early 1959 to play Lincoln in
“The Rivalry”. His co-stars were Martin Gabel and Nancy Kelly.

David Dortort indicates a position on the “Bonanza” map to Lorne Greene and Michael Landon.

David Dortort indicates a position on the “Bonanza” map to Lorne Greene
and Michael Landon.

“Are you a two gun man or just glad to see me?” muses Barbara Stanwyck while making “Cattle Queen of Montana” in 1954. (Thanx to Jerry Whittington.)

“Are you a two gun man or just glad to see me?” muses Barbara Stanwyck to Ronald Reagan while making “Cattle Queen of Montana” in 1954. (Thanx to Jerry Whittington.)

 


top of page